To appreciate the keyword "FLAC 24-192," one must understand what these numbers mean. is a file format that compresses audio without any loss of quality, making it the preferred format for storing and downloading high-resolution music.
The high-resolution FLAC files in this edition typically include:
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The album’s closing track is a masterclass in progressive funk and polyrhythms. In this high-definition container, the interplay between Steve Howe’s staccato guitar riffs and Alan White's/Bill Bruford's percussion is perfectly localized. The harpsichord solo by Wakeman cuts cleanly through the mix without sounding piercing. Every element retains its own discrete pocket of space, allowing the listener to easily isolate and follow any single instrument from the intro to the final, fading vocal rounds. The Ultimate Archival Experience Yes - Close To The Edge -2013- -FLAC 24-192-
The "FLAC 24-192" designation refers to two distinct components of the 2013 high-resolution package: Original Stereo Mix (Flat Transfer): The 24-bit / 192kHz files are typically flat transfers
The 2013 high-definition remaster of Yes’s 1972 masterpiece, Close to the Edge , remains the gold standard for audiophiles. Presented in FLAC 24-bit/192kHz, this version—meticulously helmed by Steven Wilson—breathes new life into what many consider the pinnacle of progressive rock. 💎 The Technical Edge: Why 24-bit/192kHz?
Released in September 1972, Yes's fifth studio album, Close to the Edge , is widely considered the band's magnum opus and a defining moment for progressive rock. The album consists of just three sprawling tracks—the 18-minute title suite "Close to the Edge," "And You and I," and "Siberian Khatru"—yet within this 38-minute runtime, the band crafted a universe of sound, delivering a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit. Steven Wilson, the acclaimed producer who would later remix the album, called it "a bona-fide A-level masterpiece". To appreciate the keyword "FLAC 24-192," one must
The 2013 release, spearheaded by Steven Wilson, offered multiple audio configurations across Blu-ray and digital download:
Subtle acoustic passages don't get lost next to thunderous organ swells.
To fully appreciate the depth of a FLAC 24-192 file, your audio chain needs to support high-resolution playback: This link or copies made by others cannot be deleted
192kHz captures frequencies far beyond human hearing to eliminate aliasing. Sourced directly from the original 1972 analog masters.
The original master tapes were recorded at Advision Studios in London, engineered by the legendary Eddy Offord. Offord’s production was revolutionary—capturing massive dynamic ranges, from the whispered sound of running water and birdsong to the cataclysmic organ blasts that shake the speakers.
The Free Lossless Audio Codec (FLAC) at a 24-bit depth and 192kHz sampling rate is the holy grail for digital audiophiles.
The 2013 Definitive Edition remix of Yes's 1972 progressive rock masterpiece, Close to the Edge , encoded in FLAC 24-bit/192kHz, represents the absolute pinnacle of audiophile archival releases. Mixed by musician and audio restoration specialist Steven Wilson, this high-resolution transfer uncovers layers of acoustic texture, vocal harmony, and dynamic power that were previously compressed or buried in standard redbook CD audio and original vinyl pressings. The Monumental Legacy of Close to the Edge