Bob Daisley For Facts Sake Pdf 1 New |verified| Jun 2026

For years fans begged Daisley to write his memoir, but it wasn’t until after more than four decades in the music industry that he finally sat down to put his story on paper. The result was , an autobiography first published in August 2013. The book runs 325–336 pages and measures a hefty 11.5” x 7.75”, weighing nearly two and a half pounds. It includes more than 460 photographs – most of them in colour, many never seen before – drawn from Daisley’s personal archives. Unlike many celebrity memoirs, Daisley wrote every word himself, with no ghost‑writer or co‑author.

: Physical copies of the book can sometimes be difficult to find or expensive due to limited print runs. What to Expect in the Autobiography

For those looking to buy, you can find the hardback on Amazon or check for new copies on AbeBooks . Key Takeaways from the Memoir bob daisley for facts sake pdf 1 new

Unlike many rock memoirs that rely on fuzzy, drug-haze memories, Daisley’s account is powered by a he has kept since 1976. This allows for a "no holes barred" narrative that provides specific dates, locations, and conversations most others have long forgotten. For Facts Sake: Bob Daisley: 9780992276003 - Amazon.com

Bob Daisley is one of rock’s most respected bassists and lyricists. Yet for decades, his name was omitted from some of the biggest albums he helped create — most notably Ozzy Osbourne’s Blizzard of Ozz (1980) and Diary of a Madman (1981). For years fans begged Daisley to write his

In 1998, Daisley and Kerslake filed a new lawsuit in the United States, seeking approximately in damages for royalties they claimed were never paid. That case was dismissed in 2003 after a federal judge ruled that the statute of limitations had expired, because the plaintiffs had known since 1991 that they were not receiving royalties. Undeterred, Daisley launched another lawsuit in 2016, this time alleging that Ozzy and Blizzard Music Limited had hidden royalty income behind a “sham” US company, depriving him of at least $2 million from “Crazy Train” alone. The suit claimed that an audit performed in 2014 had revealed improper withholding of income. Ozzy’s representatives denied the allegations, pointing out that Daisley had been receiving biannual royalty statements and checks “totalling in millions of dollars, which have been routinely cashed”. That case was also dismissed.

: Technical insights into how classic 80s metal albums were recorded. It includes more than 460 photographs – most

The enduring interest in a digital copy or PDF version of this text stems from its scarcity and its reputation for brutal honesty. Daisley does not write with malice; instead, he writes with the calm conviction of a man who kept the receipts. He validates the frustrations of fans who felt the original architects of heavy metal's greatest albums were unfairly sidelined.

Rejuvenating the band in the early 1980s alongside Lee Kerslake.

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